This bad photo could be my favorite photo ever
It's terribly grainy and not as well composed as I'd like but this photo taken two days ago speaks to me more than just about any other. Rocco Moretto is a WWII Vet that I've known for years from my frequent shoots of the Veterans on Veteran's Day. When Lockheed Martin approached me to shoot their new ad campaign featuring Veterans, Rocco (or Rocky as we all call him) was one of my first submissions for casting. We began shooting the campaign several weeks ago and Rocky and I got to know each other even better. I adore him and we speak quite often if only for me to hear his voice and thank him again for being a new hero in my world. Rocky was in Company C comprised of 220 soldiers that landed on Omaha Beach in Normandy on D Day. Of those 220, only 2 made it to the Czech border for VE Day. Rocky called me a week or so ago to tell me that his VFW (Veterans of Foreign Wars) Post in Queens was being renamed in his honor and would I be his guest. I gave Rocky a large print from our recent shoot (and also one for his post) and he cried. Which made me cry. And then I hugged this 90+ year old man and thought of all the unsung heroes living amongst us.
I took in the event and watched as an aging hero was celebrated. This particular moment had a truly incredible singer recreating a USO show (for one) and I can't look at it without smiling and getting kinda mushy because I have a true hero in my life and he is as humble and gracious and magnificent as I could imagine (and then some).
So here's a bad photo that could be one of my greatest photos ever.
Showing posts with label Alan Shapiro. Show all posts
Showing posts with label Alan Shapiro. Show all posts
Saturday, June 8, 2013
This bad photo could be my favorite photo ever
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Friday, June 1, 2012
I love meeting new people. Talking with them. Hearing their stories. Sharing with them in hopes that they'll share back. Watching the transformations from wary to friendly. From cynical to approachable. From closed to open.
Approaching people is not as hard as it seems and is so incredibly rewarding.
My friend +Mike Shaw and I talk about this a lot.
Stay tuned for something special he approached me about that I think will be meaningful, transformational and wonderful.
In the meantime,
Stay inspired.
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Sunday, September 25, 2011
Meerkat Melodrama
Meerkats love melodrama.
When photographing meerkats, make sure you have a TV (Ideally, a giant plasma screen) handy. Turns out they love to watch movies. But not just any movies, mind you. Oh no. Turns out they are hopeless romantics. Betcha didn't know that, didya?
In fact, when you see them all grouped up in the wild looking into the distance, they are in fact looking for signs of Drew Barrymore, Katherine Heigl, Kate Hudson or Jennifer Aniston.
Side note: This grouping of meerkats is usually called a gang, mob or clan if you're a devotee of National Geographic, Discovery or Animal Planet but I prefer "girl's night out" and am waiting for Lifetime to do a series "The real housewives of Botswana"...ahhh, but I digress.
Back to the shoot...
Fortunately, being the worldly and sensitive guy I am, I had a large collection of romantic comedies in studio perfect for my afternoon session with this lovely creature whose real name was Suma but who I nicknamed Sally (after the title character in...yup... "When Harry met Sally")
So we watched scenes from:
"He's just not that into you"
"The Wedding Singer"
"Pretty Woman"
"27 Dresses"
"Maid in Manhattan"
"Pretty in Pink"
"50 First Dates"
Note: " I totally drew the line at "Sex in the City" (sorry SJP. Would rather drink bourbon with Matthew rather than cosmos with you)
At this point, the folks assembled in my studio had gone through 2 boxes of kleenex, 3 pints of Ben and Jerry's ice cream, a box of chocolate covered cherries and 3 bottles of white zinfandel. I on the other hand was trying not to hurl and focusing on Suma/Sally.
At the end of the day, I filled a 16mb card and everyone hugged. Ahh, catharsis.
For those of you taking copious notes on working with animals, know that this shot was taken during Meg Ryan's famous scene in "When Harry met Sally." No, not the scene in the deli; meerkats find loud orgasms startling and makes them seek shelter (much like some of my lesser-male friends...if you're reading this, you know who you are.)
No, this was taken when Sally was placing her order in the restaurant earlier in the movie. (Turns out meerkats are picky eaters, too.
When photographing meerkats, make sure you have a TV (Ideally, a giant plasma screen) handy. Turns out they love to watch movies. But not just any movies, mind you. Oh no. Turns out they are hopeless romantics. Betcha didn't know that, didya?
In fact, when you see them all grouped up in the wild looking into the distance, they are in fact looking for signs of Drew Barrymore, Katherine Heigl, Kate Hudson or Jennifer Aniston.
Side note: This grouping of meerkats is usually called a gang, mob or clan if you're a devotee of National Geographic, Discovery or Animal Planet but I prefer "girl's night out" and am waiting for Lifetime to do a series "The real housewives of Botswana"...ahhh, but I digress.
Back to the shoot...
Fortunately, being the worldly and sensitive guy I am, I had a large collection of romantic comedies in studio perfect for my afternoon session with this lovely creature whose real name was Suma but who I nicknamed Sally (after the title character in...yup... "When Harry met Sally")
So we watched scenes from:
"He's just not that into you"
"The Wedding Singer"
"Pretty Woman"
"27 Dresses"
"Maid in Manhattan"
"Pretty in Pink"
"50 First Dates"
Note: " I totally drew the line at "Sex in the City" (sorry SJP. Would rather drink bourbon with Matthew rather than cosmos with you)
At this point, the folks assembled in my studio had gone through 2 boxes of kleenex, 3 pints of Ben and Jerry's ice cream, a box of chocolate covered cherries and 3 bottles of white zinfandel. I on the other hand was trying not to hurl and focusing on Suma/Sally.
At the end of the day, I filled a 16mb card and everyone hugged. Ahh, catharsis.
For those of you taking copious notes on working with animals, know that this shot was taken during Meg Ryan's famous scene in "When Harry met Sally." No, not the scene in the deli; meerkats find loud orgasms startling and makes them seek shelter (much like some of my lesser-male friends...if you're reading this, you know who you are.)
No, this was taken when Sally was placing her order in the restaurant earlier in the movie. (Turns out meerkats are picky eaters, too.
Labels:
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Tuesday, September 13, 2011
Another day, another life changing smile.
Was preparing for a bear of a day and feeling a bit overwhelmed when I literally ran into this happy fellow with the totally infectious smile. He was walking around lower Manhattan busy looking up at all the buildings and taking in the sights and sounds (that most of us take for granted) with the biggest grin. He apologized and I said "Why? your smile just turned my day around." Turns out Kwame has been here for all of three days after arriving from Ghana. He was so happy to be here and couldn't wait to start work tomorrow for his uncle with whom he is staying with the goal of bringing the rest of his family over.
He said "They will not believe how wonderful it is here and how happy they will be"
I said "so c'mon, let's show them."
Click.
And remember (because it really does need repeating): The bigger the smile you give, the bigger the smile you get.
He said "They will not believe how wonderful it is here and how happy they will be"
I said "so c'mon, let's show them."
Click.
And remember (because it really does need repeating): The bigger the smile you give, the bigger the smile you get.
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monochrome,
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smiling
Sunday, September 11, 2011
I see twin towers everywhere.
I see twin towers everywhere.
For the past ten years,
I see them everywhere I look,
In the elderly couple standing side by side
taking comfort in their closeness.
In the pencils I keep sharpened on my desk
and quickly straighten should they begin leaning.
In the ladders I see propped against houses.
In the popsicle my daughter eats on a humid August day
In the various edifices that I used to (and want to) marvel at as see them
(but now feel a sense of dread.)
I see twin towers everywhere
And I am reminded
of epic heroism
of tragic, unfounded loss
Of what hatred can do to a city, a nation, a world
Of what those of us who lost friends, family, colleagues are experiencing today
(Or whenever the number 11 shows itself...on Restaurant checks or calendars or bridges...)
And unfortunately, that is all that comes today and whenever I see a twin tower.
I'm sad.
So very, very sad.
For the past ten years,
I see them everywhere I look,
In the elderly couple standing side by side
taking comfort in their closeness.
In the pencils I keep sharpened on my desk
and quickly straighten should they begin leaning.
In the ladders I see propped against houses.
In the popsicle my daughter eats on a humid August day
In the various edifices that I used to (and want to) marvel at as see them
(but now feel a sense of dread.)
I see twin towers everywhere
And I am reminded
of epic heroism
of tragic, unfounded loss
Of what hatred can do to a city, a nation, a world
Of what those of us who lost friends, family, colleagues are experiencing today
(Or whenever the number 11 shows itself...on Restaurant checks or calendars or bridges...)
And unfortunately, that is all that comes today and whenever I see a twin tower.
I'm sad.
So very, very sad.
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Wednesday, August 17, 2011
Another day, another triple-feature of Apocalypse Now, Full Metal Jacket and Platoon playing nightly in 3-D with surround sound.
I love to talk to people. And some of the folks I most enjoy talking to are those who have served their country. I am of the generation born during the Viet Nam War so I never knew the draft or any of the repercussions. Whether I have my camera or not (which is quite rare), I always say "Thank You" no matter their service, conflict or cause. To put yourself in harm's way for your country is a staggering thought for me. But Eddie did. And still can't get some of the images out of his head. I simply cannot imagine what he and countless others experienced. But I listen to them; and take in some laughter but far more of what I take in is chilling and haunting.
What I can do, in exchange for their sharing their time with me, is take pictures of them (not like the one below) for their families and their grandchildren.
And, I always say "thank you"
What I can do, in exchange for their sharing their time with me, is take pictures of them (not like the one below) for their families and their grandchildren.
And, I always say "thank you"
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Tuesday, August 16, 2011
Another day, another busload of gaping, gawking tourists to entertain
oh sure...scamper from tree to tree, play with some flower buds (ooh yum), catch and eat some insect larvae (that'll gross 'em out), throw some poop at the crowds (ha...that'll REALLY gross 'em out), join in the kids' impromptu wrestling match, act all chatty and friendly with the young ladies (those sluts...what, are they ALWAYS in heat?), groom that big, lazy male with that god-awful pelt...Jeez! Momma's tired. My back aches. I am way overdue for a waxing. All I want to do is sit here, relax and wait for the Real Housewives of Bali to come on. (click)
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Sunday, August 14, 2011
Another day, another demolition derby babe working her charms to sell more fried butter
Another day, another demolition derby babe working her charms to sell more fried butter.
Be still my heart. Literally.
Note: take 100 percent pure sweet cream butter, whip it until it is light and fluffy, freeze it, then surrounds it with dough. Drop the butter-laden dough balls into a deep fryer (whether the oil is clean or has been frying up bacon, twinkies or turkey legs is entirely up to you).
For purists seeking the unadulterated taste of butter, serves plain. For others who want a little more pizzazz, feel free to flavor your batter with garlic, bacon fat or coke syrup. (sigh)
Be still my heart. Literally.
Note: take 100 percent pure sweet cream butter, whip it until it is light and fluffy, freeze it, then surrounds it with dough. Drop the butter-laden dough balls into a deep fryer (whether the oil is clean or has been frying up bacon, twinkies or turkey legs is entirely up to you).
For purists seeking the unadulterated taste of butter, serves plain. For others who want a little more pizzazz, feel free to flavor your batter with garlic, bacon fat or coke syrup. (sigh)
Labels:
2011,
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concession stand,
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food glorious food,
monochrome,
portrait,
woman
Another day, another demolition derby intermission when a young man's fancy turns to corny dogs
Another day, another demolition derby intermission when a young man's fancy turns to Corny-Dogs, kool-aid dill pickles, spaghetti and meatballs on a stick, chicken-fried bacon, deep fried turkey legs bigger than his head, fried mac 'n cheese balls, buttery kettle corn (to munch and throw at his older brother when his back is turned), a caramel apple (to take three bites of and then...somehow...ends up wrapped in his kid sister's hair), deep fried twinkies and oreos covered in chocolate syrup and whipped cream and (last but not least) a towering, fluffy, cumulonimbus cloud of cotton candy that looks surprisingly like the pink beehive of the surprisingly attractive woman 5 rows back...
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Saturday, August 13, 2011
Another day, another debate over Miles Davis or Charles Mingus or Thelonius Monk, trumpet versus vibraphone and which is less important: drums or or bass.
Please don't start debating jazz with me. I just like to talk to the folks who let me take their pictures. Can you see his wheels turning before his opening salvo?
For me, photographing people is like good jazz; there's always an arrangement but far more important is the interaction, collaboration, spontaneity and the heaping helping of improvisation we all bring to the party. (works for me anyway)
For me, photographing people is like good jazz; there's always an arrangement but far more important is the interaction, collaboration, spontaneity and the heaping helping of improvisation we all bring to the party. (works for me anyway)
Labels:
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portrait
Another day, another flawed photo that speaks volumes more than the perfect ones
A few moments ago, I was marveling at the work of +Carl Stovell over on Google+ (have a look as I think his work is quite amazing) and I came across a quote by Scott Adams included in Carl's post about Creative Perfectionism that I happen to have hanging in my studio. I love the quote and it bears repeating:
"Creativity is making mistakes. Art is knowing which ones to keep."
Scott Adams
It's a constant debate isn't it: When is something a simple (honest) mistake or something more.
And who gets to decide?
I for one have an ongoing love/hate relationship with mistakes. But having said that, it's something I encourage my folks to strive for and make on a daily basis for that is where growth is and Art lies waiting, hiding...
"Creativity is making mistakes. Art is knowing which ones to keep."
Scott Adams
It's a constant debate isn't it: When is something a simple (honest) mistake or something more.
And who gets to decide?
I for one have an ongoing love/hate relationship with mistakes. But having said that, it's something I encourage my folks to strive for and make on a daily basis for that is where growth is and Art lies waiting, hiding...
Labels:
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Another day, another trash-talking photographer rendered powerless with a single glance.
This is John. We play chess together. Actually, it's more like wage epic battles...there's no play involved. Now I think I'm pretty good but John is way better and the only question is how many moves will I last until the inevitable checkmate. Of course, being the photographer I am, I try to distract him by taking his picture and talking "smack":
There aren't enough Bishops in the world to help you, John."
"Oh, need a big queen to fight your battles, John?"
"I heard your mama liked knights a little too much, John."
I'd go on and on.
Then, the other day, I asked a serious question:
"So John, what if you couldn't ever play chess again?"
Click.
There aren't enough Bishops in the world to help you, John."
"Oh, need a big queen to fight your battles, John?"
"I heard your mama liked knights a little too much, John."
I'd go on and on.
Then, the other day, I asked a serious question:
"So John, what if you couldn't ever play chess again?"
Click.
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Tuesday, August 9, 2011
This is Lucy
Maybe it's that I was there, literally a few feet away from her
as our eyes met and held.
Maybe it's that I kept wondering
who was more curious?
Who was studying who more intently?
No matter, this image for me is about connecting with our subjects and the spirituality that comes from having photography as an all-consuming passion. (Note I did not say "job" for it may not be for everyone and even if it is, it rarely feels that way...at least to me).
For me, this image is beyond powerful as it reminds me of what is possible and what is waiting (demanding) to be shared. And while I know technically, there are things that are less than perfect, on an emotional level, it doesn't get any better for me.
It's one of the joys of being a photographer, isn't it...when these moments of connection arise for each of us (no matter your genre of choice or experience level) and take us to a truly magnificent place.
Find them.
Share them.
Celebrate them.
Stay inspired
as our eyes met and held.
Maybe it's that I kept wondering
who was more curious?
Who was studying who more intently?
No matter, this image for me is about connecting with our subjects and the spirituality that comes from having photography as an all-consuming passion. (Note I did not say "job" for it may not be for everyone and even if it is, it rarely feels that way...at least to me).
For me, this image is beyond powerful as it reminds me of what is possible and what is waiting (demanding) to be shared. And while I know technically, there are things that are less than perfect, on an emotional level, it doesn't get any better for me.
It's one of the joys of being a photographer, isn't it...when these moments of connection arise for each of us (no matter your genre of choice or experience level) and take us to a truly magnificent place.
Find them.
Share them.
Celebrate them.
Stay inspired
Labels:
"Moments of Connection",
Alan Shapiro,
Alan Shapiro Photography,
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animal,
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Emerging from shadows,
Orangutan,
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smiling,
staring,
wildlife
Wednesday, June 29, 2011
Another day, another boy who's only memories of his father are the faded photos he and his sister keep hidden from their mother
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portrait,
staring,
young,
youth
A few faves from the Coney Island Mermaid Parade, 2011
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Mermaid Parade,
NYC,
portrait
Friday, June 24, 2011
Another day, another boy finding out who his secret admirer is
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Wednesday, June 8, 2011
Divertimento da Cozinha
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Edible Bloody Mary Tomato Vodka gel, citrus, celery sea salt, horseradish, sriracha, worcestershire |
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White Asparagus Camomile Black olive jello, Lime olive oli zabaglione, toasted coscius, bacon infused roe |
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Bacalhau Santa Cruz Sweet Potato Espuma, Peruvian Corn, Panca Pepper |
![]() |
Summer Truffle Soup Foie Gras filled Croissant, Truffle Milk Foam |
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Soda Freeze dried banana |
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Ashes Escolar, Ginger Marinade, Roasted Ramps |
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Pork Belly Clams, Vinegar Pepper Relish, Oysters and Oyster Foam |
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Refresher Fennel Salad, Carrot Sorbet, Jalapeno Dust, Chilies, Fennel Pollen, Citrus Olive Oil |
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Banana Sorbet Brown Sugar Bubbles, Coconut Rum |
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Jelly Roll Liquid Nitrogen freeze dried Blueberries, Bitters, mascarpone, Pistachio, Currants |
My dear friend Chef Anthony Goncalves is the creative mastermind behind Restaurant 42 and Bellota. He has started creating a series of ever-changing 11 to 14 course tasting menus inspired by his Iberian heritage to keep his Foodie followers elated. He never ever disappoints and always surprises with his perfectly prepared and inspiring preparations and combinations. I'm not sure which I enjoyed more; being in his kitchen with his phenomenal staff watching them work together so effortlessly or enjoying what they so lovingly prepared. Fortunately, I don't have to choose.
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Thursday, April 7, 2011
A convention of Black-eyed Susans (or is it a herd? A troupe? Or gaggle?)
A convention of Black-eyed Susans (or is it a herd? A troupe? Or gaggle?), originally uploaded by ashapiro515.
A herd...
A troupe...
A gaggle...
A plethora...
An invasion...
My favorite: A cacaphony
I screwed up with this image because there were acres of them and all I shot was this. Musta had stuff on my mind. Damn. This is a mistake I'm not keen on celebrating. (So consider this a cautionary tale)
Labels:
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Alan Shapiro Photography,
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Black-eyed Susans,
flower photography,
flowers,
yellow
Monday, April 4, 2011
An amazing moment between a mother and daughter. A time for joy. A reminder: hug your kids.
An amazing moment between a mother and daughter. A time for joy. A reminder: hug your kids., originally uploaded by ashapiro515.
sorry for the lack of sharpness but was really caught up in the tender moment. At the same time, Shanna, the crazy aggressive Sheepdog was inches from me, barking furiously, worried about her charges.
Yes, the baby was absolutely smiling. What's not to smile about.
Labels:
"Moments of Connection",
Alan Shapiro,
Alan Shapiro Photography,
ashapiro515,
lamb,
love,
parenting,
sheep
Tuesday, March 22, 2011
Low tide at Rye Beach
Had two related conversations today.
Someone this morning asked me why I don't do more landscape photography. I didn't have an answer.
A different person asked me what I thought made one landscape better than another. [Insert long pregnant pause here.] I didn't have an answer (at least not a good one):
Some landscapes make me feel like immediately packing a bag and booking a flight.
Others make me see a place I've been to in a totally different way. Others make me feel small; not in an insignificant way, but rather as something much, much bigger.
Which took me back to the first question. And made me nervous. Could I evoke any of those feelings in someone else? Or do something else? And if so, what? I have to admit, I'm a little scared. Which isn't such a bad place for someone wanting to really push themselves.
Follow my twitter stream at: @alansphotos
Someone this morning asked me why I don't do more landscape photography. I didn't have an answer.
A different person asked me what I thought made one landscape better than another. [Insert long pregnant pause here.] I didn't have an answer (at least not a good one):
Some landscapes make me feel like immediately packing a bag and booking a flight.
Others make me see a place I've been to in a totally different way. Others make me feel small; not in an insignificant way, but rather as something much, much bigger.
Which took me back to the first question. And made me nervous. Could I evoke any of those feelings in someone else? Or do something else? And if so, what? I have to admit, I'm a little scared. Which isn't such a bad place for someone wanting to really push themselves.
Follow my twitter stream at: @alansphotos
Labels:
2011,
Alan Shapiro,
Alan Shapiro Photography,
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bw,
low tide,
monochrome,
nature,
nature in,
rocky beach,
water,
water's edge
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